News

Industry News, March 2019

Video Game News

Steam Isn’t Sure Whether It Controls Content or Not

As reported by Sprites
+ Dice, ever since last summer, when a game entitled Active Shooter was put up for sale on Valve’s Steam video game
store, some users have been raising concerns about Steam’s (and thereby
Valve’s) business practices. After pressure from users, Valve eventually pulled
this title, but following that, they posted a new policy on their official blog
announcing that they had decided “that the right approach is to allow
everything onto the Steam Store, except for things that we decide are illegal,
or straight up trolling.” While removing any content restrictions (and
therefore responsibility for content) is in some ways a rational response to
the need to police content on a large and public platform, concerns have
recently been raised again by a game titled Rape
Day, which allows players to “verbally harass, rape, and then murder women”
in the game. A
petition not to release the game on Steam garnered nearly 8,000 signatures.
As of March 6, Steam
announced on their blog that they would not be selling the game, explaining
that despite their previous statement that they would “allow everything,” this game
“poses unknown costs and risks and therefore won’t be on Steam.”

So what does this mean, both for Steam and for other
platforms like them (Blizzard, Origin, etc.) that sell games including those
they have not themselves produced? What would have happened if there had been a
counter-petition to release the game that garnered the same number of
signatures, or even more? Is having no policy actually a policy? I suspect we
will see more situations similar to this until content-providing platforms
learn that saying “Whatever goes” isn’t actually a workable strategy, and find
places to draw lines that everyone involved can live with, but the process of
getting to that point is going to be a painful one.

Game Devs Share Personal Game Design Rules

Gamasutra points out a
useful thread where game developers share their personal game design rules,
techniques, and rules of thumb in single tweets.

BAFTA Games Award Nominations            

The BAFTA
Games Award nominations were announced on March 14, and God of War is leading the nominations,
including in Artistic Achievement, Audio Achievement, three nominations for
Performer, and Best Game. Winners will be announced on Thursday, April 4, 2019,
at a ceremony in London. Watch
online using any of these sources.

Game Developer Conference

The Annual Game Developer Conference (GDC) is in San
Francisco on March 18–22,
and while this will be nearly finished by the time this news goes live, Gamasutra’s
practical advice on how to attend the conference as a small indie studio looks
like it will be useful at future events.

Dwarf Fortress on Steam

The ASCII-aesthetic colony simulation Dwarf Fortress will be coming to Steam with new graphics, music, and sound, produced by Montreal-based Kitfox Games. Per Polygon’s coverage, “An ASCII-based mode will still be available in this new version, and development of the original game will continue unabated.”

Publishing News by Jason Sanford

Thoughts on the Recent Nebula Award Controversy

I wrote and rewrote
this column multiple times, trying to explain to people what went on several
weeks ago with the Nebula Awards and the 20Booksto50K slate/not-a-slate
controversy. Heck, I was trying to understand the situation myself. But like
building a sandcastle on quicksand, understanding continually shifted as new
facts and viewpoints appeared and disappeared.

Was the slate
truly a slate or merely a recommended reading list gone bad?
Was LMBPN Publishing behind the slate? Was this a
case of traditional authors vs. self-published/indie authors?
An attack on up-and-coming international writers?

So what exactly
happened? Perhaps N. K. Jemisin summed up the controversy best when she said,
"Personally, I think this whole business is the result of a culture clash:
anything-goes indie writers versus a (indie and tradpub) community that at
least thinks of itself as
merit-focused. The anything-goes writers really should've done some field
research before they jumped in and tried to plant a flag on merit-focused
ground; this mess is the result."

Instead of
rehashing everything that went down, I'd like to add a little historical
perspective.

Most SF/F people
know the puppies slated the Hugo Awards a few years ago.
But issues around slates have been going on for decades in different forms.

In 1987, the Church of Scientology supposedly helped L. Ron Hubbard's
novel Black Genesis make the Hugo Award final ballot. Fans
were outraged. After final voting the novel was ranked below “No Award"
(similar to what happened to the slates nominated by the Rabid Puppies).

What happened
with the puppies in recent years, and the nomination of Hubbard's novel in
1987, were flat-out slates. But there are also more subtle issues with the Hugo
and Nebula Awards, including the reoccurring problem of logrolling, where groups of authors support their friends with nominations
if their friends do the same for them. This issue was particularly
bad in the genre back in the 1970s and '80s.

Changes to the
Hugo and Nebula Award rules have helped make logrolling less effective, but
there are always rumors it still happens. Thankfully, voters then as now tend
to recognize bad stories which make the final ballot for this reason and rarely
vote for them.

Another subtle
issue with the Nebula Awards is defining what actually counts as campaigning.
In 1982 the novelette "The
Bone Flute" by Lisa Tuttle won the Nebula Award. Ironically,
this win happened after Tuttle withdrew the story from consideration to protest
the actions of writer George Guthridge, who also had a novelette on the Nebula
final ballot. Guthridge supposedly campaigned for the award by mailing copies
of it to SFWA members along with a cover letter written by F&SF editor Ed
Ferman.

The thinking
back then was that it was unfair to mail copies of a nominated story to all SFWA
members because not all authors could afford the cost to mail their own
nominated stories. Tuttle withdrew her story from consideration to protest this
campaigning, only to later learn her story still won the award.

Back then many
people in SFWA and the genre considered mailing a nominated story to be the
same as campaigning. Today, that norm has changed, with Nebula and Hugo voters
expecting to receive electronic copies of all nominated works.

I think part of
the reason for the explosion of anger and angst over this year's Nebulas is, as
Jemisin said, a culture clash. Perhaps it also indicates that the genre's
cultural norms and expectations around what counts as campaigning for the
genre's awards are evolving, similar to what happened decades before with
"The Bone Flute." 

All that said,
I'm sympathetic to Annie Bellet's anger after what happened to her during
the Hugo Award slate several years ago. I also appreciate and
respect the statement from Jonathan Brazee, who created the
20Booksto50K recommended reading list. I believe Brazee's heart was
in the right place with their list even if it had unintended consequences. I'm
glad Annie and Jonathan have worked things out and that others involved in this
also appear to be taking things down a notch. But Annie was still swamped with hate mail and attacks, which is unacceptable.
And many others like Yudhanjaya Wijeratne have also been hurt by
all of this. 

All of this is a
reminder that people in science fiction and fantasy care deeply about our
genre. Even if we disagree and come from different viewpoints and backgrounds
and beliefs, including different avenues and approaches to publishing, our love
of SF/F is still there. You see this in the passion people showed over this
entire Nebula controversy (including the excellent work the writer(s) behind Camestros
Felapton put into investigating this issue).

Maybe I'm a
naive optimist, but I believe the genre will come out of this controversy
stronger than ever.

Publishing Shorts

• Don't let the controversy around the SFWA Nebula Awards distract from all the great stories which made the final ballot. Congrats to all the finalists.
• The publisher of Writer's Digest has filed for bankruptcy, and plans to sell its assets within three to four months.
• Sourcebooks Fire has withdrawn the publication of Kosoko Jackson's debut YA novel A Place for Wolves due to "criticisms and concerns being voiced via social media by members of the children’s book community." Bogi Takács offers a good perspective on this controversy.
• The self-publisher service Draft2Digital is adding distribution to Google Play.
• Space and Time Magazine has launched a new website. New publisher Angela Yuriko Smith took over the fiction magazine not long ago.
• According to Victoria Strauss, Travis McCrae of pirate site Ebook Bike is issuing threats against those who report him. More here.
• On Writer Beware, Strauss also urges people to be cautious about AMS Literary Agency.

Books and Writing News

Open Submissions

Submissions
are now open for the next SFWA Science Fiction StoryBundle, titled “A
Matter of Time Science Fiction Bundle.” Deadline is March 25, and SFWA
membership is not a requirement for submission or inclusion.

When Science Fiction Comes True

The New York Times
recently ran an essay about reactions
within the sci-fi genre (including the reactions of some authors whose ideas
are regarded as prophetic) when truth seems to imitate fiction. One author
who expresses a strong opinion within the piece that her work is not prophetic
is Margaret Atwood, whose The Handmaid’s
Tale, originally published in 1985, is often said now to have presaged many
of the social crises facing today’s population. Atwood is currently working on
a sequel to The Handmaid’s Tale, the
publication of which The Guardian recently announced will be
marked with a live interview at the National Theatre in London, to be
broadcast worldwide.

Media Coverage for Authors Still Has a Gender Bias

A recent report details the way male
authors receive more media attention for publications even when they are of
roughly equivalent experience and publishing success. Profiles and reviews
are also more likely to mention a female author’s age, and female authors have
the sense that outlets treat their work as a hobby rather than a career, or
treat their work as domestic.

In Memoriam                        

Writer and psychiatrist Janet Asimov (born Janet O. Jeppson in 1926) passed away on February 25, 2019. She was a science columnist for the LA Times, and published short fiction in the 1960s under the name J.O. Jeppson. Later, under her married name, she coauthored the YA novel Norby, the Mixed-Up Robot, as well as several other books in the same series,with her husband, Isaac Asimov, who SFWA quotes as saying that “despite the joint byline, Janet Asimov did 90% of the work.”    She continued writing after her husband’s death and also edited a collection of excerpts from his work.

Comics News

Buffy the Vampire Slayer Returns (Again)

Although it’s been twenty years since the TV series ended, Buffy the Vampire Slayer is having a bit
of a nostalgia moment just now, with talk about a potential reboot on TV and,
now, a
new comic from Boom! Studios that offers an updated take on the series.
According to Olivia Sava at the AV Club, “The emotional core of the series is
still the relationship between Buffy and her friends, but [writer Jordie]
Bellaire, working closely with editor Jeanine Schaefer, has redefined
characters so that they begin with the extra dimensions they gained later in
the series.” For instance, in this new version, Willow starts the series out
with a girlfriend, and adding to Buffy’s tension at home, Buffy’s mom has a
live-in boyfriend. Other fan-favorite characters like Anya, Drusilla, and Spike
are around from the beginning, upping the tension and giving the sense that
this is a perfect version of the series where ideas didn’t have to develop as
much over time.

TV and Movies News

Captain Marvel Shines

As of March 18, Marvel’s new Captain Marvel movie starring Brie Larson had cleared
$760 million at the box office in its first twelve days, eclipsing the
entire runs of several past comic book movies like Man of Steel and Wonder Woman,
and gaining solid mid-tier monetary returns compared to other movies in the
Marvel Cinematic Universe. This is after an online campaign, as members of some
internet groups bombed movie review sites like Rotten Tomatoes with bad reviews
in an attempt to bury the movie with bad reviews. The New York Times discusses
the changes made by movie review sites like Rotten Tomatoes in response to the
prerelease backlash against Captain
Marvel, and how this may play out in the future as movie studios
embrace more diversity in their productions.

TV Shorts

• Seanan McGuire’s Wayward Children series will come to TV on SyFy, in cooperation with Legendary TV. As of March 18, it’s still in very early development, so fans will want to keep an eye out for more updates on this in coming months!
• Beloved clone story Orphan Black could be returning, this time to AMC, although it’s unknown at this time whether this would involve a new cast of characters or continue the story of Tatiana Maslany’s Sarah Manning.
• Reports indicate that Marvel may be planning an animated series of their classic What If? comics, in addition to other series that are currently in the works for the Disney+ platform. 

We want to hear from you! Let us know what you think about the news of the month on the forum post for this blog entry.

by Jason Sanford and 1 more